也许每一个男子全都有过这样的两个女人,至少两个。娶了红玫瑰,久而久之,红的变了墙上的一抹蚊子血,白的还是“床前明月光”;娶了白玫瑰,白的便是衣服上的一粒饭黏子,红的却是心口上的一颗朱砂痣。
这一句脍炙人口的名言,正是出自于张爱玲的小说《红玫瑰与白玫瑰》。
十里洋场,假意与真情,孰能分辨
正如张爱玲所说,我们也许可以同时爱两个人,又被两个人所爱。遗憾的是,我们只能跟其中一个厮守到老。那么面对炽烈如火的红与纯洁无暇的白,又该作何抉择?
我们每一个人心中都住着另一个自己,在生命的旅程中,有些人不断和自己相遇,也有些人注定和真实的那个自己错过。这部话剧最特别的地方就在于两个演员共同饰演一个角色,一个是表象,一个是内心,又或者,一个是理性,一个是感性。让人不禁疑问是否眼前看到,耳中听到的就是真实?全剧最讽刺的便是事物的两面性,振保被大家当作柳下惠,其实最是多情,娇蕊表面上是交际花,实则拥有最纯粹的爱情观。有太多的真心被你我掩埋在面具之下,我们想做的就是把这些未能说出口的话讲给你听

WThis theatrical adaptation of the novel by the same name, written by Chinese contemporary female author Eileen Chang (张爱玲), tells the stories of self-made, western-educated Shanghainese Zhenbao Tong in the late 1930s, as he struggles to choose between his social responsibilities and his sensibilities.
‘Perhaps every man has had two such women in their lives- at least two. One he called his White Rose, a wife sacred and pure; the other his Red Rose, a mistress passionate and coquettish.’
‘Red Rose, White Rose’ explores the themes of love and infidelity, lost and regrets, the conflicting duality of us as humans, as well as the social and family values of late modern China through two unique stage performance representations: firstly, the three main characters: Zhenbao Tong, White Rose and Red Rose will each be portrayed by two actors, further highlighting the underlying tension between the different facets of our inner selves; in addition, the interweaving timelines, namely in chronological order from Red Rose’s perspective and in reverse chronological order from White Rose’s perspective, are put side by side on stage, strung up together only by the man that was a significant part in both of their lives- Zhenbao Tong.

预告片 Trailer

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演员阵容 Cast